Degrassi's Sam Earle might break K.C.'s nose.
We asked Sam some of our questions, and some of your questions. As usual, he was very tight-lipped and monosyllabic.
When you doodle, what do you draw?
Strictly hearts and rainbows. p>
What do you think makes a good Degrassi episode?
Dealing with relevant teen issues is a big staple of the show and the impact they can have on a lot of our audience is always remarkable and rewarding. But personally, if a story line is natural and understated, regardless of the subject matter, it will draw me in and have me involved in the worlds of the characters. Because the show revolves so much around relationships (whether they be romantic, friendly, or otherwise), the fate of an episode really entirely depends on how well these relationships are handled, by the writers as well as by the actors, who can truly make or break them. Like I said, when a relationship is well taken care of, only then can I really relate to the characters, which is not always easy being someone who is so tight with the actors who play them.
When it comes to these ambitious and topical episodes, I prefer the magnetic over the charismatic, something that draws the viewer in on their own terms, provoking reactions and opinions, transforming them into an active and thoughtful member of the discussion that the episode begins.
Halloween asks: "Do you go to a real school? If so is it like Degrassi?"
Yes I do! Don't know why people assume I'm some kind of underage drifter - I get plenty of breaks from filming. As for my (public, normal(ish), not full of actors) school, there's a small student body, and we don't have a ravine for our dirty business, so it might be a bit tame in comparison.
senmusic asks: " Who is your best friend on set?"
Panther, the really fat cat. The cast is alright (so much love it hurts).
Speaking of set cats, the other one, Noggin, is in the hospital. She's suffering from an identity crisis, too many name changes.
Oh and I think there was something about "eruption of the anal gland", might be a contributing factor, I dunno. But wish him well everyone!
And also from senmusic: "Did you originally audition for the character that you play?"
Yup. Good old KC, smooth-talker with a nasty past. I even remember some of the scene (never actually included), to Clare, who at first is all "no kissing 'til college", but then looks like she "wants to stick her tongue down my throat" when we both go to pick up a dropped pencil and share a tense moment locking eyes. It was a fun scene, something a little sketchy about running it over and over with my Mom though...
icegirl111 asks: "How do you feel about KC and Clare breaking up?"
At the time I think I might've been too young and foolish to grasp the long term consequences of what was going down, the only thing running through my head was "Oh cool! A nice meaty Clare scene!" I remember reading it for the first time in a read through. I always get almost embarrassingly invested in the scripts while I read them, and so I glanced up at the end and I remember seeing Ace throw me this look that was all "Dayumm son!", and [me] kinda just smiling back blankly, shrugging it off a little, assuming that however things went, KC and Clare wouldn't just vanish from each other's lives so abruptly. The truth is, I came on to this show as a part of Clare's storyline, and as an actor, I assumed nothing beyond my role as a love interest of hers. So even as KC has gone off and done his own thing, and continues to do so, that element of attachment to Clare as a character has always stuck with me. KC can do whatever stupid crap he wants, but if he doesn't seriously acknowledge the debt he owes to Miss Edwards somewhere down the line, I'mma break his nose (never been punched in the face, never punched someone in the face, so two birds with one stone!).